> Folk Music > Records > The Transports
The Transports - A Ballad Opera by Peter Bellamy
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The Transports Free Reed FRRD 021/022 (2 LP, UK, November 1977) |
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Arranged by Dolly Collins, ensemble directed by Rod Skeaping.
This unique project relates the true story of Henry Cabell and Susannah Holmes, convicts transported to Australia on the “First Fleet” in 1787 and the trials and tribulations which culminated in that historic voyage. The tale is presented as a cycle of new compositions in the idiom of traditional English folk song, linked by narrative passages in the style and to the melodies of broadsheet ballads of the time. The orchestral passages and arrangements for the accompanied songs have been conveived in such a way as to underline the overall feeling of “period” and the instruments used are those likely to have been heard in the church bands or “quires” of East Anglian villages in those days. The singers have been chosen from the front rank of the English folk song revival, and the melodies composed to suit their individual style. A detailed account of the historical background to the story by Eric Fowler (the man who originally researched it) is included in the booklet.
This recording was remixed and reissued in 2004 as part of Free Reed's 2CD 25th year Commemorative Issue, see below.
The CastHenry Cabell: Mike Waterson |
The EnsembleRod Skeaping: director; |
Tracks
| Side 1 | Side 2 |
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| Side 3 | Side 4 |
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Miscellaneus
Steve Winick's article on Peter Bellamy's work.
> Folk Music > Records > The Transports at Whitby
The Transports at Whitby
The Transports at Whitby
Various ArtistsRED 011 (cass, UK, 1993)
This was a memorable performance of Peter Bellamy's ballad opera, The Transports, recorded by Dave Howard at Whitby Folk Festival, August 1992.
The CastHenry Cabell: Damien Barber |
The EnsembleJohn Kirkpatrick Chorus of 37 persons, including Kate Rusby, Kathryn Roberts and Jenny Bellamy |
> Folk Music > Records > The Transports - 2004
The Transports - 2004
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The Transports - 2004 Free Reed FRDCD 2122 (25th year Commemorative Issue) (2CD, UK, March 2004) |
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In 2004, Free Reed published a 25th year Commemorative Issue of Peter Bellamy's ballad opera The Transports. This consists of 2 CDs, first a re-mastered version of the original 1977 recording - see above for cast and track list - and a second CD with newly recorded tracks by lots of well known musicians. There is no one cast to a certain role as in the original recording but every song is sung by different singers. Even if I like most of the individial interpretations, I miss the consistency and charm of the original recording.
Tracks
- Cockersdale:
Black & Bitter Night
(4:14)
From the Cockersdale album Doin' the March - Jim Lawton: Raking the Embers (0:33)
- Simon Nicol & Chris Leslie: The Ballad of Henry and Susannah - 1 (1:02)
- David Jones:
Us Poor Fellows
(4:12)
From the album From England's Shore - Joel Griffiths: The Robber's Song (3:42)
- Simon Nicol & Chris Leslie: The Ballad of Henry and Susannah - 2 (2:31)
- Grace Notes: The Leaves in the Woodland (4:07)
- Simon Nicol & Chris Leslie: The Ballad of Henry and Susannah - 3 (1:11)
- Witches of Elswick:
I Once Lived in Service
(4:31)
From the Witches' album Out of Bed - Chris Sugden: The Ballad of Norwich Gaol (2:46)
- Laura Hockenhull & Pete Morton: Sweet Loving Friendship (3:27)
- Simon Nicol & Chris Leslie: The Ballad of Henry and Susannah - 4 (1:59)
- Damien Barber & John Kirkpatrick with The Wilsons & Grace Notes: The Black and Bitter Night (5:01)
- Mal Jardine with Jamie O'Dywer: The Humane Turnkey (3:56)
- John Roberts: The Plymouth Mail (4:14)
- Coope Boyes & Simpson: The Green Fields of England (4:56)
- Kimber's Men:
Roll Down
(4:03)
From the album See You When the Sun Goes Down - Steve Tilston: The Still and Silent Ocean (5:00)
- Simon Nicol & Chris Leslie: The Ballad of Henry and Susannah - 5 (2:24)
- Fairport Convention: Dance: The Convict's Wedding (2:09)
- Tim Moon:
Black Concertina
(2:40)
Live at Bacca Pipes Club, also on the album Anger and Kiss - Peter Bellamy:
Roll Down (excerpt)
(2:04)
Live at The Focal Point, St Louis, Missouri, 1991



