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Do Me Ama
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Domeama / Jacky Tar
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Jackie Tar
Do Me Ama / Jacky Tar
[
Roud 511
; Laws K40
; Ballad Index LK40
; trad.]
This fo'c'sle song from probably the 18th century was sung by A.L. Lloyd on his and Ewan MacColl's albums The Black Ball Line, Haul on the Bowlin' and Blow the Man Down, and on the compilations Sea Songs and Shanties (Topic Sampler No 7) and Sailors' Songs & Sea Shanties. He recorded it again in 1960 on his and Ewan MacColl's album Blow Boys Blow.
Lloyd commented in the Blow the Man Down sleeve notes:
A fo'c'sle song that probably came into being during the 18th century. It derives its story from from an old chapbook tale of The Squire and the Farm Servant. The song has appeared in print a few times, most recently as Jack the Jolly Tar in the Penguin Book of English Folk Songs. It is still occasionally to be heard from traditional countryside singers, and may own its survival to the fact that in its story, the common sailor most cheekily gets the better of the squire - a theme for which country singers show lasting affection.
and added in the Blow Boys Blow sleeve notes:
The tune, an unusual one in English folksong, may derive from some languorous melody heard on a Mediterranean trip.
Martin Carthy sung Domeama on his and Dave Swarbrick's 1967 album Byker Hill. He commented in the album notes:
When sailors were away on long voyages, the various deprivations must have put them under a colossal strain, but their imaginations appear to have been equal to it even if their bodies sometimes weren't. The mind at work on Domeama smacks strongly of seafaring, Chaucer, or Decameron and indeed it has a basic similarity with the English ballad Glasgerion. There is probably no direct connection between this and Domeama as the theme is very old and very widespread. It is, incidentally, the only song I have ever learned on one hearing only (without the aid of tape-recorder or pencil and paper). I've tried since but to no avail.
Martin Carthy sang it as Jackie Tar live in December 2004 at Ruskin Mill; and he and Dave Swarbrick recorded Jacky Tar for their 2006 album Straws in the Wind. This album's notes say:
On the face of it, there are enough similarities between Jacky Tar and the big ballad Glasgerion as far as the basic plot line goes, for it to be thought of as a gutter version of the latter song. Bowing to A.L. Lloyd's wider knowledge (and he was always clear that in his view it was simply not the case), I retain a feeling that these things cannot be entirely unconnected: I like the idea that people rework such themes over and over. Cecil Sharp met the singer William Nott in Meshaw in Devon in 1904 and it's his beautiful tune which I sing here. The words come from a friend called Neville - who refused to let me have the song in 1958 but whose entire rendition I remembered at home later that night as I sat furious with my guitar in bed: furious because of his refusal to part with the words.
His daughter Eliza Carthy sang this song as Jacky Tar on her album Heat Light & Sound and on the English folk anthology And We'll All Have Tea. She commented in her album's sleeve notes:
A Jacky Tar is a name for a sailor. This seems to be another “trick the lass and run off” song, except that he doesn't get the chance to run off. I learned it from my Dad and it appears in Cecil Sharp.
Bob Copper collected a version of this story, as The Squire's Lost Lady, in about 1954 from Ben Butcher in Popham, Hampshire - a song he had learnt from his father George Butcher in Storrington, Sussex: see Chapter Fourteen, pp. 114-122, of Songs and Southern Breezes for the details - and wonderful story about a shoot; see also the appendix for the words.
Nic Jones played Jackie Tar as an instrumental on his third album, The Noah's Ark Trap.
Lyrics
| A.L. Lloyd sings Do Me Ama | Martin Carthy sings Domeama |
|---|---|
|
As a sailor was walking one fine summer day, |
As Jack went out walking all on a fine day, |
|
“You must tie a string all around your finger, |
“Just tie the string all around your finger |
|
Says Jack to himself, “I've a mind to try, |
Jack says to himself, “I've a mind for to try, |
|
Well the squire came by, he was humming a song, |
Now the squire he came a-riding, he was singing a song, |
|
Well, early next morning, it was just getting light, |
It was early next morning, it was just getting light, |
|
“Oh what do you want, you tarry sailor, |
“Oh what do you want, oh, you tarry sailor, |
|
The sailor he says, “Oh, forgive me I pray, |
Jack says to the lady, “Your pardon I pray, |
| Eliza Carthy sings Jacky Tar | Martin Carthy sings Jacky Tar |
|
Well, a young Jacky Tar out one day a-walking, |
Young Jacky Tar, out one day a-walking, |
|
“Just tie a string all around your finger |
“Just tie the string all around your finger |
|
“Damn me,” says Jack, “Oh, why don't I fetch her, |
“Blow me,” says Jack, “Well, why don't I fetch her, |
|
Jack never had seen such a sight before-a, | |
|
The squire came by, he whistling a song-a, |
Squire he come by, he was singing a song-o, |
|
Jack lay in her arms all the livelong night-a |
Jack lay in her arms all the livelong night-a |
|
“Why what d'ya want, oh you nasty sailor |
“What do you want, oh you nasty sailor |
|
And then, says Jack, “Why I beg your pardon |
Jack says to her, “Pardon I pray-a, |
|
(repeat first verse) |
Acknowledgements
Transcribed by Garry Gillard and Reinhard Zierke.
