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Balancy Straw / Seventeen Come Sunday / Whitefriar's Hornpipe
Seventeen Come Sunday / As I Roved Out / One May Morning
[
Roud 277
; Laws O17
; Ballad Index LO17
; trad.]
Joe Heaney sang As I Roved Out in 1964 in a recording made by Ewan MacColl and Peggy Seeger. This was included in 2000 on his Topic 2 CD anthology The Road from Connemara.
Harry Cox sang Seventeen Come Sunday in a recording made by Peter Kennedy in between 1953 and 1956 on the 1965 EFDSS album Traditional English Love Songs.
Louis Killen sang One May Morning in 1965 on his Topic album Ballads & Broadsides. Angela Carter commented in the sleeve notes:
In the eternal springtime of English love songs a girl tries to fend off the advances of an importunate young fellow man by telling him that she is too young; but he proves to her the truth of the old saying, “when they're big enough, they're old enough.” Told from the point of view of the girl who, as in one American version, later brings forth a little baby boy after the statutory nine months—“and me not fifteen years of age”, the song can be intolerably poignant; most versions, though, are emphatically masculine as this bawdy guffaw. Hammond collected this treatment of a widespread theme in Dorset in the early years of the century, but it was deemed sufficiently indelicate to bring a blush to Edwardian cheeks and was duly doctored for publication. This is how Hammond heard it first of all.
Bob Hart sang Seventeen Come Sunday at home in Snape, Suffolk in July 1969. This recording by Rod and Danny Stradling was released in 2007 on his Musical Traditions anthology A Broadside. A later recording by Tony Engle from September 1973 was released in 1974 on the Topic album Flash Company.
The Broadside from Grimsby sang Seventeen Come Sunday on their 1973 Topic album The Moon Shone Bright: Songs and Ballads collected in Lincolnshire.
Steeleye Span—then including Martin Carthy and John Kirkpatrick— recorded Seventeen Come Sunday in 1977 for their tenth album, Storm Force Ten. John Kirkpatrick and Maddy Prior are singing. And John Roberts and Tony Barrand recorded it for their album Heartoutbursts: English Folksongs collected by Percy Grainger.
Waterson:Carthy—here Tim van Eyken, melodeon and vocals; Martin Carthy, guitar; Eliza Carthy, violin—recorded the two tunes Balancy Straw and Whitefriar's Hornpipe with the song Seventeen Come Sunday in between for their fourth album, A Dark Light. Martin Carthy commented in the album's notes:
Balancy Straw is a Morris tune from quite a few places including Ascot under Wychwood and Bledington which Liza found in the Journals of the EFDSS, and chose to play more as a reel or a quick hornpipe, and it was Tim who introduces us to Whitefriar's Hornpipe, one of those crooked tunes gracing the repertoire of John Kirkpatrick, whence he learned it. Seventeen Come Sunday is pretty much the standard way with the song but set by Tim to a Cornish tune and with the alternative ending chosen because of Tim's predilection for Rum. Lots of it.
Lyrics
| Joe Heaney sings As I Roved Out | |
|---|---|
|
As I roved out on a May morning,
“Oh how old are you, my pretty fair maid? “Do you want to marry me, pretty fair maid? “Won't you come to my house on top of the hill And I went up to the top of the hill She took my horse by the bridle and reins She took me by her lily white hand And she went up and dressed the bed, And it's there we stayed till the break of day “Then when will you return again Now a pint at night is my delight | |
| Waterson:Carthy sing Seventeen Come Sunday | Steeleye Span sing Seventeen Come Sunday |
|
As I walked out one May morning, |
As I strolled out one May morning,
|
|
Her shoes were black and her stockings were white | |
|
“Where are you going, my fair pretty maid, | |
|
“How old are you, my fair pretty maid, |
“How old are you, my fair pretty maid, |
|
“Will you take a man, my fair pretty maid, |
“Could you love me, my fair pretty maid, |
|
“But if you come round in the middle of the night |
“But if you come to my Mummy's house |
|
So I went round in the middle of the night |
So he went to her Mummy's house |
|
Then she said, “Will you marry me?” |
She says, “Kind sir, will you marry me?” |
|
So now she's with her soldier bright |
Acknowledgements
Transcribed from the singing of Waterson:Carthy by Reinhard Zierke with a bit of help by Ivan Coates. Thank you!
