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> Waterson:Carthy > Songs > Balancy Straw / Seventeen Come Sunday / Whitefriar's Hornpipe

Seventeen Come Sunday / As I Roved Out / One May Morning

[ Roud 277 ; Laws O17 ; Ballad Index LO17 ; trad.]

Joe Heaney sang As I Roved Out in 1964 in a recording made by Ewan MacColl and Peggy Seeger. This was included in 2000 on his Topic 2 CD anthology The Road from Connemara.

Harry Cox sang Seventeen Come Sunday in a recording made by Peter Kennedy in between 1953 and 1956 on the 1965 EFDSS album Traditional English Love Songs.

Louis Killen sang One May Morning in 1965 on his Topic album Ballads & Broadsides. Angela Carter commented in the sleeve notes:

In the eternal springtime of English love songs a girl tries to fend off the advances of an importunate young fellow man by telling him that she is too young; but he proves to her the truth of the old saying, “when they're big enough, they're old enough.” Told from the point of view of the girl who, as in one American version, later brings forth a little baby boy after the statutory nine months—“and me not fifteen years of age”, the song can be intolerably poignant; most versions, though, are emphatically masculine as this bawdy guffaw. Hammond collected this treatment of a widespread theme in Dorset in the early years of the century, but it was deemed sufficiently indelicate to bring a blush to Edwardian cheeks and was duly doctored for publication. This is how Hammond heard it first of all.

Bob Hart sang Seventeen Come Sunday at home in Snape, Suffolk in July 1969. This recording by Rod and Danny Stradling was released in 2007 on his Musical Traditions anthology A Broadside. A later recording by Tony Engle from September 1973 was released in 1974 on the Topic album Flash Company.

The Broadside from Grimsby sang Seventeen Come Sunday on their 1973 Topic album The Moon Shone Bright: Songs and Ballads collected in Lincolnshire.

Steeleye Span—then including Martin Carthy and John Kirkpatrick— recorded Seventeen Come Sunday in 1977 for their tenth album, Storm Force Ten. John Kirkpatrick and Maddy Prior are singing. And John Roberts and Tony Barrand recorded it for their album Heartoutbursts: English Folksongs collected by Percy Grainger.

Waterson:Carthy—here Tim van Eyken, melodeon and vocals; Martin Carthy, guitar; Eliza Carthy, violin—recorded the two tunes Balancy Straw and Whitefriar's Hornpipe with the song Seventeen Come Sunday in between for their fourth album, A Dark Light. Martin Carthy commented in the album's notes:

Balancy Straw is a Morris tune from quite a few places including Ascot under Wychwood and Bledington which Liza found in the Journals of the EFDSS, and chose to play more as a reel or a quick hornpipe, and it was Tim who introduces us to Whitefriar's Hornpipe, one of those crooked tunes gracing the repertoire of John Kirkpatrick, whence he learned it. Seventeen Come Sunday is pretty much the standard way with the song but set by Tim to a Cornish tune and with the alternative ending chosen because of Tim's predilection for Rum. Lots of it.

Lyrics

Joe Heaney sings As I Roved Out  

As I roved out on a May morning,
On a May morning quite early,
I met my love upon the way,
But oh lord she was early.

Chorus (after each verse):
And she sang lilttle lidle diddle idle dum
And she hidle deedle dum
And she hidle deedle doo and she landy

“Oh how old are you, my pretty fair maid?
How old are you, my darling?”
She answered my quite modestly,
“Sixteen come Monday morning.”

“Do you want to marry me, pretty fair maid?
Do you want to marry me darling?”
She answered my quite modestly,
“Oh I would but for my mammy.”

“Won't you come to my house on top of the hill
When the moon is shining brightly?
I'll arise and I'll let you in
And my mammy won't he hearing.”

And I went up to the top of the hill
When the moon was shining brightly.
She arose and let me in
But her mammy wasn't hearing.

She took my horse by the bridle and reins
And let it to the stable.
“There is plenty of oats for the soldier's horse
As fast as he can eat it.”

She took me by her lily white hand
And let me to the table.
“There is plenty of wine for the soldier boy
As fast as he can take it.”

And she went up and dressed the bed,
she dressed it soft and easy.
I went up and I rolled her in,
“Oh my lassie are you able?”

And it's there we stayed till the break of day
And the devil a one did hear me.
I got up and put on my clothes,
“Oh my lassie I must leave you.”

“Then when will you return again
And when will we get married?”
“When broken delft make Christmas bells,
it's then we will get married.”

Now a pint at night is my delight
And a gallon in the morning.
The old women are my heartbreak
But the young ones are my darling.

Waterson:Carthy sing Seventeen Come Sunday Steeleye Span sing Seventeen Come Sunday

As I walked out one May morning,
One May morning so early,
There I spied a fair pretty maid
All in the dews up early.

As I strolled out one May morning,
One May morning so early,
I overtook a handsome maid
And, my goodness, she was early.

Chorus (after each verse):
With a rue dum da, whack fol de la
Whack fol de diddle I-do

Her shoes were black and her stockings were white
And her buckles they shone like silver.
She had a dark and roving eye
And her hair hung over her shoulder.

“Where are you going, my fair pretty maid,
Where are you going, my honey”
Cheerfully she answered me,
“I've an errand for my Mummy.”

“How old are you, my fair pretty maid,
How old are you, my honey?”
Cheerfully she answered me,
“I'm seventeen come Sunday.”

“How old are you, my fair pretty maid,
How old are you, my honey?”
She answered me so cheerfully,
“Well, I'm seventeen come Sunday.”

“Will you take a man, my fair pretty maid,
Will you take a man, my honey?”
Straightaway she answered me,
“I dare not for my Mummy.”

“Could you love me, my fair pretty maid,
Could you love me, my honey?”
She answered me so tearfully,
“Oh, I can't because of Mummy.”

“But if you come round in the middle of the night
When the moon is shining clearly,
I'll lift the pin and let you in
And my Mummy shall not hear me.”

“But if you come to my Mummy's house
When the moon is shining brightly,
Oh, I'll come down and let you in
And my Mummy shall not hear me.”

So I went round in the middle of the night
When the moon was brightly shining;
She lifted the pin and she let me in
And I lay in her arms till morning.

So he went to her Mummy's house
When the moon was brightly shining;
And she came down and she let him in
And she rolled in his arms till the morning.

Then she said, “Will you marry me?”
As she let me out in the morning.
“By you I'm one that's quite undone
If you leave me here in scorning.”

She says, “Kind sir, will you marry me?”
I says, “Oh no, my honey,
For the fife and drum is my delight
And I'm happy in the army.”

So now she's with her soldier bright
Where the wars they are alarming;
And her delight is to dance all night
And a pint of rum in the morning.

Acknowledgements

Transcribed from the singing of Waterson:Carthy by Reinhard Zierke with a bit of help by Ivan Coates. Thank you!