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Banks of Green Willow
The Banks of Green Willow
[
Roud 172
; Child 24
; Ballad Index C024
; trad.]
This song from Ralph Vaughan Williams' and A.L. Lloyd's The Penguin Book of English Folk Songs is related to Child 24: Bonnie Annie. Nic Jones recorded it in 1971 for his eponymous album Nic Jones. He commented in his sleeve notes:
I have known this song for some years but have never sung it as none of the many tunes had particularly appealed. Whilst looking at it again in The Folk Song Journals, I began singing it to the present tune, which appears to be a mixture of various phrases that were already in my head.
Martin Carthy sang Banks of Green Willow on his 1972 album, Shearwater. He recorded it again with Jez Lowe for the Fellside anthology A Selection from The Penguin Book of English Folk Songs. An alternate take of this with some more musicians, but with Paul Adams singing instead of Martin Carthy, is on Flash Company. Martin Carthy commented in his original album's sleeve notes:
It's probably due to Vaughan Williams' decision to follow Percy Grainger in using recording techniques to gather songs, that this particular version of The Banks of Green Willow was rescued. He recorded it from an old man in Hampshire and subsequently had great difficulty in transcribing it, so what he wrote is probably only the merest sketch of the tune.
In the early sailing days, a ship which was becalmed was a ship which was bewitched, and the only way out was a sacrifice. A wrongdoer or a woman on board could jeopardise the safety of everyone on board, so if trouble came, the Jonah could expect no mercy and lots were cast to find him out. Once the demon had been exorcised, the ship could continue.
And the A Selection from The Penguin Book of English Folk Songs sleeve notes said:
From Emma Overd, Langport, Somerset; noted in 1904 by Cecil Sharp. Sharp reported the song “very generally sung throughout Somerset.” Ralph Vaughan Williams noted a Hampshire version.
There is a common superstition, older than Jonah, that the presence of a wrong doer aboard ship may make the vessel unmanageable. Disaster may result unless the wrong doer is thrown overboard. In many versions the story seems to have become disordered and the meaning rather obscured. The text gives the brief outline of the plot; the woman robs her parents at her lover's request and then sails away with him. Whilst at sea her baby is born. The sailors fear that someone is flying from retribution. In this version the woman is thrown overboard.
Tony Rose recorded this song in 1976 as title track of his LP On Banks of Green Willow. As this album is no longer available, he re-recorded it in 1999 for his CD Bare Bones. He commented in the original album's sleeve notes:
It was a common superstition, possibly originating with the story of Jonah, that the presence of an evil-doer on board a ship might imperil both vessel and crew, unless the guilty party were sought out and thrown overboard. Such is the theme running through The Banks of Green Willow and Sir William Gower, both of which were collected by Cecil Sharp in Somerset.
Jackie Oates learned The Banks of Green Willow from Tony Rose's album and recorded it in 2006 for her eponymous first album, Jackie Oates.
John Spiers & Jon Boden played Banks of Green Willow on their 2001 CD, Through & Through, and Jon Boden sang in as the July 10, 2010 entry of his project A Folk Song a Day. He commented in the CD sleeve notes:
A version of this nightmarish ballad put together by Martin Carthy using a tune sung by Mr David Clements in 1909 (see A Century of Song, EFDSS) and various texts from Child. This was the first ballad I ever learnt and I didn't get the melody quite right at the time—a mistake which stuck.
Banks of Green Willow was also recorded by Coope Boyes & Simpson in 2005 for their album Triple Echo: Songs collected by Ralph Vaughan Williams, George Butterworth and Percy Grainger.
Lyrics
| Nic Jones sings The Banks of Green Willow | Tony Rose sings The Banks of Green Willow |
|---|---|
|
O it's of a sea-captain |
O it's of a sea-captain She cried, “What shall I do my love? |
|
“Go and fetch your father's gold |
“Go fetch me some of your father's gold |
|
“Now I've got me father's gold |
So she's fetched him some of her father's gold |
|
Now they hadn't been a-sailing, |
Well they had not been sailing “Sea captain, sea captain, “Oh no,” said the captain, |
|
“Go and fetch a white napkin |
“Then tie the napkin round my head, So they tied the napkin round her head, |
|
Now see how she totters, |
Don't you see how she swims, my lad, |
|
Go fetch me a longboat | |
|
For she shall have a coffin, |
And my love shall have a coffin made |
| Martin Carthy sings on Shearwater | … and on Penguin Book of English Folk Songs |
|
It's of a sea captain | |
|
Go and get your father's goodwill, |
Go and get your father's goodwill, |
|
Oh she's got her father's goodwill, | |
|
Now they had not been a-sailing |
She had not been a-sailing |
|
Oh hold your tongue you silly girl | |
|
Now they had not been a sailing | |
|
Oh there's fay folk in our gallant ship, | |
|
So they've cast the black bullets, | |
|
Oh, fetch me a silk napkin | |
|
Oh he's tied a napkin all round her head |
Oh they fetched him a silk napkin |
|
And it's seeing how she doth swim my boys, |
Oh, see how my love tumble, |
|
Oh she shall have a coffin |
Oh, make my love a coffin |
Acknowledgements
Martin Carthy's Shearwater version transcribed by Garry Gillard. The other words are from The Penguin Book of English Folk Songs, eds Ralph Vaughan Williams & A.L. Lloyd, Penguin, 1959. Martin Carthy's variations transcribed by Reinhard Zierke.
