>
Shirley Collins >
Songs >
Barbara Allen
>
The Watersons >
Songs >
Norma Waterson: Barbary Allen
>
Martin Carthy >
Songs >
Barbara Allen / Barbary Ellen
Barbara Allen / Barbary Allen / Barbary Ellen
[
Roud 54
; Child 84
; Ballad Index C084
; trad.]
Phil Tanner sang Barbara Allen on a BBC recording made on April 22, 1949 at Penmaen. It was included on the anthology The Child Ballads 1 (The Folk Songs of Britain Volume 4; Caedmon 1961; Topic 1968), in 1968 on his eponymous EFDSS album, Phil Tanner, and in 2003 on his Veteran anthology CD The Gower Nightingale.
Shirley Collins sang Barbara Allen on two of her albums: in 1959 on Sweet England and in 1967 on The Power of the True Love Knot. She commented in the latter album's notes:
Barbara Allen is the “dark lady” of the ballads. She has been known to skip out of Jimmy's reach as he stretches a pale arm for her from his death bed; laugh out loud as she sees Jimmy's ghost in the lane on her way home. But after her devilish behaviour she always dies of remorse and finishes up in the churchyard with Jimmy. Of all the many versions I have heard, this one, with its sad two-part tune, haunts me most and best seems to evoke Barbara Allen herself.
Phoebe Smith sang Barbara Allen in a recording by Mike Yates on the 1975 anthology Songs of the Open Road; Gypsies, Travellers & Country Singers. Jon Boden credits Phoebe Smith as his source in his July 5, 2010 entry of his project A Folk Song a Day.
Norma Waterson sang Barbary Allen on her third solo album Bright Shiny Morning. She was accompanied by Mary Macmaster, electro harp; Eliza Carthy & Ben Ivitsky, violins and vocals; Tim Phillips, octave violin, viola; Julian Goodacre, English double pipes; and commented in the sleeve notes:
I don't know where the tune materialised from so I think I must have made it up. I know I sang it as a child, though whether it's from school or the family I don't know. The song is extremely old and was said to be the favourite of Charles the Second's mistress, Nell Gwynn.
A very similar version called Barbara Allen is sung by Martin Carthy on the “English” CD of the Fellside anthology Song Links - A Celebration of English Traditional Songs and their Australian Variants. Edgar Waters commented in the liner notes:
Barbara Allen is number 84 in Professor J. Child's monumental collection of ballads (The English & Scottish Popular Ballads - 5 vols.) and probably originated in the seventeenth century. Samuel Pepys referred to it as a “little Scotch” song in 1666. Whether it is Scottish or English in origin is anybody's guess. There are many, many English and Scottish versions. It was known in English-speaking parts of Ireland by the eighteenth century, where Oliver Goldsmith heard it sung by the family dairymaid, and it remains widely sung there, and in North America. Martin Carthy learnt his version from the singing of an English worker, Jim Wilson, recorded in a Sussex country pub in 1960. The location varies from version to version but Reading is also given in the fine version collected by Ewan MacColl from the Dorset gypsy singer, Queen Caroline Hughes in 1964
A somewhat different version is sung by Martin Carthy as Barbary Ellen on his album Signs of Life. The “Australian” CD of the Fellside anthology Song Links again has a very similar version to this - having the same title and both ending with the rose and briar motif - sung by Cathie O'Sullivan.
Martin Carthy commented in his album's sleeve notes:
I think that I've known Barbary Ellen all my life. The song I learned was very short and gave you nothing of her anger at being treated with such disdain and how that translates to the contempt with which she treats his rather late declarations of lurve... The tune is from the Shropshire gypsy, Samson Price.
Lyrics
| Shirley Collins' Barbara Allen on The Power of the True Love Knot | |
|---|---|
|
It was round and about last Martinmas tide He sent his man into the town Then slowly, slowly got she up “Indeed, I'm sick and very sick “But don't you remember last Saturday night And Death is printed on his face As she was a-going over the fields “Oh mother, mother, make my bed, | |
| Norma Waterson's Barbary Allen on Bright Shiny Morning |
Martin Carthy's Barbara Allen on Song Links |
|
In Reading town, where I was born, | |
|
Now in the first part of the year |
It was all in the month of May, |
|
He sent his men all down to her hall “For death is painted upon his face “Though death is painted upon his face |
And he sent his servant man |
|
So slowly, slowly she's got up |
So slowly, slowly she walked up, |
|
“If on your death bed you do lie “Oh look at my bedhead,” he cried, “Oh look at my bed foot,” he cried, |
“Oh nothing would help what's in your fate, |
|
And as she walked all across the field |
As she was walking through the field |
|
And then she's turned herself around, |
And she was walking through the street |
|
When he's dead and laid in his grave |
The more she looked, the more she laughed, |
|
“Hard-hearted was I him to slight |
“Hard-hearted creature sure I was |
|
And she upon her death bed lay, |
It was he that died was today, |
| Martin Carthy's Barbary Ellen on Signs of Life |
Cathy O'Sullivan's Barbary Ellen on Song Links |
|
All in the third part of the year |
In Dublin I was reared and born, |
|
He sent his men down to the town |
He sent his servant to her room, |
|
So slowly, slowly she rose up, “You're lying low, young man,” she cries, “Oh look at my bedhead,” he cries, “Oh look at my bed foot,” he cries, |
'Twas slowly, slowly she put on her clothes |
|
“Tell me, do you mind the time, ” she cries, |
“Don't you remember last Saturday night “Oh it's well I remember last Saturday night |
|
She walked over yon garden field, She walked over yon garden field, She lifted the lid from off the corpse, | |
|
She come home to her father's house, |
“Oh mother, mother, make by bed, “Oh father, father, dig my grave, |
|
They buried her all in the churchyard, |
A rose grew from fair William's heart, |
|
They grew and they grew all in the churchyard |
They grew and grew to the top of the church |
Acknowledgements
Transcription of the texts from Bright Shiny Morning and Signs of Life by Garry Gillard.
