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Derry Gaol
The Streets of Derry / Derry Gaol / Hail a Brighter Day
[
Roud 896
; Laws L11
; Ballad Index LL11
; trad.]
Sarah Makem sang the Irish rebel song Derry Gaol in a Peter Kennedy recording on the anthology Fair Game and Foul (The Folk Songs of Britain Volume 7; Caedmon 1961; Topic 1970).
Shirley Collins sang this song as The Streets of Derry on her 1967 album The Sweet Primeroses accompanied by her sister Dolly Collins paying the flute-organ. This track was also included in her anthologies Fountain of Snow and Within Sound. She commented in the original album's sleeve notes:
Recorded by Peter Kennedy and Sean O'Boyle from Mrs Sarah Makem. Of all the songs I have ever heard in The Gallow Pole family, this version, with the glimpses of a proud young man walking “like a commanding officer”, and the wild, slow melody, appeals to me most. There are extra verses which I omitted about “his aged mother and father” refusing to buy the young man off the gallows. Dolly here employs a sustained drone in the manner of the Uilleann pipes.
June Tabor sang Derry Gaol in a BBC Radio session recorded on July 11, 1977 and broadcast on July 19, 1977. This recording was included in 1998 on her CD of BBC sessions, On Air.
Peter Bellamy learned Derry Gaol from the singing of Sarah Makem too and recorded it for his 1979 Topic album Both Sides Then. He also played learned the tune of The Streets of Derry on the whistle in a recording of unknown origin, possibly from the Peter Bellamy recording sessions; at least it was included on that album's CD reissue as part of the Fair Annie 2CD set.
John Spiers and Jon Boden recorded Derry Gaol in 2002 for their Fellside CD Songs, omitting two verses that Peter Bellamy sang. Their sleeve notes commented:
Learnt (along with the majority of Jon's pub singing repertoire) from Peter Bellamy. He, in turn, learnt it from Sarah Makem. The last-minute-rescue-from-the-gallows motif is common across the globe, although this version features one of the more realistic depictions of Pre-Execution Tension.
Jon Boden sang Derry Gaol as the August 7, 2010 entry of his project A Folk Song a Day, and a variant called Hail a Brighter Day as the March 22, 2011 entry of A Folk Song a Day, on which he commented:
This is arguably a bit of a cheat as it’s essentially Derry Gaol, but I’m quite fond of the chorus, and it works well in a session. I wrote the chorus for a production of The Juniper Tree a few years back, and we’ve performed this a few times with the Remnant Kings.
Lyrics
| Shirley Collins sings The Streets of Derry | Peter Bellamy sings Derry Gaol |
|---|---|
|
Now after morning there comes an evening |
Oh, after morning there comes an evening |
|
My love he is as fine a young man |
My love, he is the finest young man, |
|
As he was a-marching through the streets of Derry, |
As he was marched up through the streets of Derry, |
|
Now the very first step he did put on that ladder, And the very next step he did put on that ladder, “Yes, I will make you see that you may not hang him | |
|
“What keeps my love, she's so long a-coming? |
“Where is my love? She is so long a-comin'; |
|
He looked around and he saw her coming, |
He looked around and he saw her coming |
| Spiers & Boden sing Derry Gaol | Jon Boden sings Hail a Brighter Day |
|
Oh, after morning there comes the evening |
Oh, after morning there comes the evening |
|
My love he is the finest young man |
My love he is the finest young man So come wind, blow the clouds away, |
|
As he marched out through the streets of Derry, |
As he marched out through the streets of Derry, |
|
But the very first step he put on the gallows |
But the very first step he put on the gallows So come wind, blow the clouds away, |
|
“Where is my love, she is so long a-coming |
“Where is my love, she is so long a-coming |
|
Well he looked around and he saw her coming |
Well he looked around and he saw her coming So come wind, blow the clouds away, |
Links
See also the Mudcat Café thread Recordings: 'Hangman' (Child 95).
