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The Poacher's Fate
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The Poacher's Fate
The Poacher's Fate / Gallant Poacher
[
Roud 793
; Laws L14
; Ballad Index LL14
; trad.]
The Watersons sang The Poacher's Fate in 1966 on their album A Yorkshire Garland. Like most of the tracks from this LP, it was re-released in 1994 on the CD Early Days. A somewhat longer version was sung by Martin Carthy as Gallant Poacher on the Albion Country Band's album Battle of the Field.
A.L. Lloyd commented in the A Yorkshire Garland sleeve notes:
As large-scale capitalist agriculture grew during the eighteenth century, more and more of the common ground and woods where ordinary people grazed a few sheep and shot a few rabbits were fenced off as private property. Especially in the Midlands and South Yorkshire, where commoners had a strong anti-authoritarian tradition since Robin Hood's days, the enclosures were bitterly resented, the more so as new rationalised farming methods meant widespread unemployment, and it was doubly hard to keep the family pot boiling. So from this time, and from this area, we get a large number of songs reflecting the widespread “poaching war” between the keepers, representing the landlords, and the poachers, whom the ordinary folk regarded as their champions against injustice.
The Poacher's Fate was published as a broadside by Pocklington of York, also by Walker of Durham. The Watersons sing it to the tune of James Waller the Poacher, communicated to Frank Kidson by a Mr. Anderson of Leeds.
Harry Cox's sang The Poacher's Fate in a recording by Bob Thompson and Michael Grosvernor Nyer on November 15, 1970. This was included in 2001 on his Topic anthology, The Bonny Labouring Boy. Steve Roud commented in the liner notes:
Traditional songs, such as this which focus on confrontations between keepers and poachers, are always clearly on the side of the latter, as were the feelings of most of the working country populace in the 19th century. Under various titles such as The Gallant Poachers, this particular song was collected a number of times in England (and once in the USA), and well-known post-War recordings by Walter Pardon, George Dunn, and Becket Whitehead have been issued. It was also reasonably popular with broadside printers, and surviving sheets suggest a mid-19th rather than an early-19th century provenance, although Roy Palmer (Everyman's Book of English Country Songs (1979)) maintains that it must have been in existence from at least 1811 or 1812 as its textual influence can be seen on a Luddite song of that period.
Walter Pardon sang The Poacher's Fate in his home in a recording by Bill Leader on May 11, 1974. This was included both on Pardon's 1975 Leader LP, A Proper Sort, and on the Topic anthology To Catch a Fine Buck Was My Delight (The Voice of the People Vol. 18, 1998).
Peter Bellamy sang The Poacher's Fate on his 1975 eponymous LP, Peter Bellamy. He accompanied himself on concertina and commented in the sleeve notes:
Versions of this ballad have been collected all over the British Isles. This composite verson is drawn partly from Harry Cox and partly from Walter Pardon, both of Norfolk, and I have myself taken distinct liberties with both the text and the melodiy, which is very similar (even before I got at it) to that of the Copper Family's When Spring Comes In.
Lyrics
| The Watersons sing The Poacher's Fate | The Albion Country Band's Gallant Poacher | |
|---|---|---|
|
Come all ye lads of high renown |
Now come all you lads of high renown | |
|
I and five more a-poaching went The keeper heard us fire a gun |
Now me and five more a-poaching went | |
|
The bravest lad in all the lot For help he cried, but it was denied |
Now, the bravest youth amongst our lot | |
|
Deep was the wound that the keeper gave |
Now this youth he fell down on the ground, | |
|
Now the murderous man that did him kill, | ||
| Harry Cox sings The Poacher's Fate | ||
|
Me and three more went out one night; | ||
|
The keepers heard us fire our guns | ||
|
He was a gay young youth, | ||
|
He rose no more to stand the test | ||
|
No more locked up in the castle cell | ||
|
No more locked up in the castle cell | ||
| Walter Pardon sings The Poacher's Fate | Peter Bellamy sings The Poacher's Fate | |
|
Come all you lads of high renown |
Come all you lads of high renown | |
|
I and five more a-poaching; |
Me and five more a-poaching went |
|
|
And the moon shone bright, |
And the moon shone bright, | |
|
The keeper heard us fire a gun |
But the keeper heard us fire our gun |
|
|
'Twas the bravest youth among the lot |
And the bravest youth of all our lot | |
|
He was a brave young youth, | ||
|
In memory he ever shall be blessed. | ||
|
For help he cried | ||
|
It was the wound the keeper gave, | ||
|
That youth he fell upon the ground | ||
|
The murderous man that did him kill |
Now that murderous man who did him kill | |
|
Destructive things, | ||
|
He must wander through this world forlorn |
He must wander through this world forlorn | |
|
And destructive things, | ||
|
To prison then we all were sent, |
And to prison then we all got sent, | |
|
And for help we cried, | ||
|
But fickle fortune on us shine |
But fickle fortune changed her mind | |
|
No more locked up in the midnight cells |
And now no more locked up in the midnight cells |
Notes and Acknowledgements
The Poacher's Fate was transcribed from the Early Days CD by Garry Gillard. This is somewhat different from the version in the Digital Tradition database. Digitrad here* has “Until the judgement day”. Other versions have: “By all his friends below”, “By all of us below” and “By all those he loved below”. Thanks to Wolfgang Hell, and to Tony Rees.
The lyrics of Gallant Poachers were copied from the Ashley Hutchings songbook A Little Music.
