> A.L. Lloyd > Songs > The Knight and the Shepherd's Daughter
> The Young Tradition > Songs > Knight William
> Steeleye Span > Songs > The Royal Forester

Knight William and the Shepherd's Daughter /
Knight William / The Royal Forester / The Shepherd's Daughter

[ Roud 67 ; Child 110 ; Ballad Index C110 ; trad.]

The songs shown here are all variants of Child 110, Knight William and the Shepherd's Daughter.

A.L. Lloyd sang The Knight and the Shepherd's Daughter in 1956 on his and Ewan MacColl's Riverside album of Child ballads, The English and Scottish Popular Ballads Volume II. Editor Kenneth G. Goldstein wrote in the album's booklet:

Aside from a broadside copy in the Roxburghe Collection and a fragmentary text from Kidson's Traditional Tunes (1891), all of the 16 texts of this ballad printed by Child were Scottish.

Parts of this ballad will be recognised as having great similarity to lines in Child Waters (63); no question of one's borrowing from the other exists, however, for the lines appear to suit both ballads equally well. The ballad tale is almost identical to that of Chaucer's Wife of Bath's Tale as well as to various other tales including The Marriage of Sir Gawain.

The ballad has been rather frequently reported from tradition in England in this century, and would appear to be better known there than in Scotland at the present time. It has been reported rarely in America.

A.L. Lloyd's version was noted by Percy Grainger from William Roberts of Burringham-on-Trent, Lincolnshire, in 1906, with additional stanzas from Shepherd Banting of Quenington, Oxfordshire.

See Child (110), Volume II, p. 457ff; Coffin, pp.102-103; Dean-Smith, p.3; Greig & Keith, pp. 87-90.

The Young Tradition sang Knight William in 1967 on their second album, So Cheerfully Round. Peter Bellamy commented in the album liner notes:

This is our first attempt to apply group singing techniques to one of the “big songs”, and to do so we have had to employ various combinations of voices from verse to verse. Since learning this and working it out we have come across even longer versions of the same story, but this fifteen-verse account did not seem to us in need of further expansion.

Steeleye Span recorded The Royal Forester in 1972 for their fourth LP Below the Salt, which was the first album of their longest-living “classic” line-up with Tim Hart, Bob Johnson, Rick Kemp, Peter Knight, and Maddy Prior. The sleeve notes commented:

Subtitled “The Aboriculturist Meets Superwoman”.

From the singing of John Strachan. The first English text appeared in Anchovy Ram's elementary drum tutor Half Way to Para-diddle, published in 1293. Although a faithful translation of the original Latin, there is still scholarly dispute as to the spelling of the name “Erwilian” and over the use of the word “leylan”.

A live recording of The Royal Forester—probably from a BBC Radio Concert Session in early 1973—was published on the compilation The Harvest of Gold. Another live recording from the Royal Opera Theatre in Adelaide during Steeleye Span's Australia tour of 1982 was intended for inclusion on the On Tour Australian-only LP release but was subsequently deleted due to time limitations of vinyl pressings. It appeared later on the Steeleye Span / Maddy Prior anthology A Rare Collection 1972-1996.

Former Witch of Elswick, Fay Hield sang this ballad under the title The Shepherd's Daughter in 2010 on her first solo CD, Looking Glass. Her source is the cassette Mostly Ballads sung by Arthur Knevett.

Lyrics

The Young Tradition sing Knight William Steeleye Span sing The Royal Forester

It's of a shepherd's daughter dear
Keeping sheep all on the plain;
Who should ride by but Knight William
And he'd got drunk by wine.
    With me right fal-lal-al diddle-al-day

I am a forester of this land
As you may plainly see,
It's the mantle of your maidenhead
That I would have from thee.

Well, he has mounted off his horse
And quickly laid her down,
And when he's had his will of her
He rose her up again.
    With me right … (chorus after each verse)

He's taken her by the milk-white hand
And by the leylan sleeve,
He's lain her down upon her back
And asked no man's leave.

“Since you have had your will of me,
Pray tell to me your name,
So when our dear little babe is born,
I might call him the same.”

“Now since you've lain me down young man,
You must take me up again,
And since you've had your wills of me,
Come tell to me your name.”

“Sometimes they call me Jack,” he said,
“Sometimes they call me John;
But when I am at the King's high court
They call me Knight William.”

“Some call me Jim, some call me John,
Begad it's all the same;
But when I'm in the King's high court
Erwilian is my name.”

She being a good scholar,
She's spelt it o'er again,
“Erwilian, that's a Latin word,
But Willy is your name.”

He's put his foot all in the stirrup,
And away he then did ride.
She's tied a handkerchief around her waist,
And followed at the horse's side.

Now when he heard his name pronounced,
He mounted his high horse.
She's belted up her petticoat
And followed with all her force.

She's run till she come to the river brink,
She's fell on her belly and swam.
And when she came to the other side
She took to her heels and she ran.

He rode and she ran
A long summer day,
Until they came by the river
That's commonly called the Tay.

“The water, it's too deep, my love,
I'm afraid you cannot wade.”
But afore he'd ridden his horse well in
She was on the other side.

She run till she come to the King's high court,
She's knock-ed and she's ring;
There's none so ready as the King himself
To let this fair maid in.

She went up to the king's high door,
She knocked and she went in,
Said, “One of your chancellor's robbed me
And he's robbed me right and clean.”

“Good morn to you, fair maid,” he said,
“Good morn, kind Sir,” said she,
“Have you a knight all in your court
This day have robb-ed me?”

“Well, have he robbed you of your gold?
Or any of your store?
Or have he robbed you of your gold ring
You wear on your little finger?”

“Has he robbed you of your mantle?
Has he robbed you of your ring?”
“No, he's robbed me of my maidenhead
And another I can't find.”

“Well, he ain't robbed me of me gold
Or any of me store;
But he's robbed me of my maidenhead
Which grieves my heart full sore.”

“Well, if he be a married man
Then hang-ed he shall be;
But if he be a single man
Then his body I will give to thee.”

“If he be a married man
Then hang-ed he shall be,
And if he be a single man
He shall marry thee.”

The King has call-ed all his men,
By one, by two, by three;
Knight William used to be the foremost man
But now all behind comes he.

“Oh curs-ed be the very hour
That I got drunk by wine
For to have a shepherd's daughter dear
To be a true lover of mine.”

“Well, if you think me a shepherd's daughter
Leave to me alone.
If you make me lady of a thousand men
I'll make you lord of ten.”

So then these two to church they went
And then small things was done.
She appeared like some Duke's daughter
And him like a squire's son.

This couple they got married,
They live in Huntley town.
She's the Earl of Airlie's daughter,
And he's the blacksmith's son.

  
Fay Hield sings The Shepherd's Daughter

It’s of a shepherd’s daughter tending sheep on yonder hill,
A roving blade came a-riding by and swore he’d have his will.
“If you should have your will of me, pray tell to me your name,
So when my baby it is born I might call him the same.”

“Oh some they call me Jack,” he said, “and some they call me John,
But when I’m in the King’s own court, my name is Sweet William.”
He mounted on his milk white stead and away from her did ride;
She’s lifted up her petticoats and run close by his side.

She ran till she came to the riverside, she fell on her belly and swam;
She swam till she came to the other side, took to her heels and ran.
She ran till she came to the King’s own court and boldly pulled the ring,
And none were so ready but the King himself to let this fair maid in.

“What brings you here, my pretty fair maid, what brings you here?”, says he,
“It's of a knight in your own court this day has robbed me.”
“What has he robbed you of, fair maid, has he stolen all your fee?”
“No he’s robbed me of my maidenhead that my mother has give to me.”

“Well if he be a married man then it's hanged he shall be,
But if he be a single man, his body I’ll give to thee.”
And he called down his merry men all by one, by two, by three,
Sweet William he came last of all when first he used to be.

And he pulled out a handful of gold, he put it all in a glove.
“Take this, take this, my pretty fair miss, go seek for another true love.”
“Oh I’ll not have any of your gold nor any of your fee,
But I will take your sweet body that the King has granted me.”

He mounted on a milk white stead and she upon another;
They rode along the King’s highway like sister and like brother.
They rode till they came to the first fair town, he bought her a gay gold ring,
And when they got to the next fair town, he gave her a gay wedding.

“Well I wish I were drinking a bath of water instead of drinking wine
Before an old shepherd’s daughter would have been a bride of mine.
I wish I were drinking white wine instead of drinking red
Before an old shepherd’s daughter would bring me to my wedding bed.”

Acknowledgements

Thanks to Patrick Montague for correcting the Steeleye Span lyrics.