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A.L. Lloyd >
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The Knight and the Shepherd's Daughter
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Knight William
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Steeleye Span >
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The Royal Forester
Knight William and the Shepherd's Daughter /
Knight William / The Royal Forester / The Shepherd's Daughter
[
Roud 67
; Child 110
; Ballad Index C110
; trad.]
The songs shown here are all variants of Child 110, Knight William and the Shepherd's Daughter.
A.L. Lloyd sang The Knight and the Shepherd's Daughter in 1956 on his and Ewan MacColl's Riverside album of Child ballads, The English and Scottish Popular Ballads Volume II. Editor Kenneth G. Goldstein wrote in the album's booklet:
Aside from a broadside copy in the Roxburghe Collection and a fragmentary text from Kidson's Traditional Tunes (1891), all of the 16 texts of this ballad printed by Child were Scottish.
Parts of this ballad will be recognised as having great similarity to lines in Child Waters (63); no question of one's borrowing from the other exists, however, for the lines appear to suit both ballads equally well. The ballad tale is almost identical to that of Chaucer's Wife of Bath's Tale as well as to various other tales including The Marriage of Sir Gawain.
The ballad has been rather frequently reported from tradition in England in this century, and would appear to be better known there than in Scotland at the present time. It has been reported rarely in America.
A.L. Lloyd's version was noted by Percy Grainger from William Roberts of Burringham-on-Trent, Lincolnshire, in 1906, with additional stanzas from Shepherd Banting of Quenington, Oxfordshire.
See Child (110), Volume II, p. 457ff; Coffin, pp.102-103; Dean-Smith, p.3; Greig & Keith, pp. 87-90.
The Young Tradition sang Knight William in 1967 on their second album, So Cheerfully Round. Peter Bellamy commented in the album liner notes:
This is our first attempt to apply group singing techniques to one of the “big songs”, and to do so we have had to employ various combinations of voices from verse to verse. Since learning this and working it out we have come across even longer versions of the same story, but this fifteen-verse account did not seem to us in need of further expansion.
Steeleye Span recorded The Royal Forester in 1972 for their fourth LP Below the Salt, which was the first album of their longest-living “classic” line-up with Tim Hart, Bob Johnson, Rick Kemp, Peter Knight, and Maddy Prior. The sleeve notes commented:
Subtitled “The Aboriculturist Meets Superwoman”.
From the singing of John Strachan. The first English text appeared in Anchovy Ram's elementary drum tutor Half Way to Para-diddle, published in 1293. Although a faithful translation of the original Latin, there is still scholarly dispute as to the spelling of the name “Erwilian” and over the use of the word “leylan”.
A live recording of The Royal Forester—probably from a BBC Radio Concert Session in early 1973—was published on the compilation The Harvest of Gold. Another live recording from the Royal Opera Theatre in Adelaide during Steeleye Span's Australia tour of 1982 was intended for inclusion on the On Tour Australian-only LP release but was subsequently deleted due to time limitations of vinyl pressings. It appeared later on the Steeleye Span / Maddy Prior anthology A Rare Collection 1972-1996.
Former Witch of Elswick, Fay Hield sang this ballad under the title The Shepherd's Daughter in 2010 on her first solo CD, Looking Glass. Her source is the cassette Mostly Ballads sung by Arthur Knevett.
Lyrics
| The Young Tradition sing Knight William | Steeleye Span sing The Royal Forester |
|---|---|
|
It's of a shepherd's daughter dear |
I am a forester of this land |
|
Well, he has mounted off his horse |
He's taken her by the milk-white hand |
|
“Since you have had your will of me, |
“Now since you've lain me down young man, |
|
“Sometimes they call me Jack,” he said, |
“Some call me Jim, some call me John, |
|
She being a good scholar, | |
|
He's put his foot all in the stirrup, |
Now when he heard his name pronounced, |
|
She's run till she come to the river brink, |
He rode and she ran |
|
“The water, it's too deep, my love, | |
|
She run till she come to the King's high court, |
She went up to the king's high door, |
|
“Good morn to you, fair maid,” he said, | |
|
“Well, have he robbed you of your gold? |
“Has he robbed you of your mantle? |
|
“Well, he ain't robbed me of me gold | |
|
“Well, if he be a married man |
“If he be a married man |
|
The King has call-ed all his men, “Oh curs-ed be the very hour “Well, if you think me a shepherd's daughter | |
|
So then these two to church they went |
This couple they got married, |
| Fay Hield sings The Shepherd's Daughter | |
|
It’s of a shepherd’s daughter tending sheep on yonder hill, “Oh some they call me Jack,” he said, “and some they call me John, She ran till she came to the riverside, she fell on her belly and swam; “What brings you here, my pretty fair maid, what brings you here?”, says he, “Well if he be a married man then it's hanged he shall be, And he pulled out a handful of gold, he put it all in a glove. He mounted on a milk white stead and she upon another; “Well I wish I were drinking a bath of water instead of drinking wine | |
Acknowledgements
Thanks to Patrick Montague for correcting the Steeleye Span lyrics.
