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Wood–Wilson–Carthy: Lord Bateman
Lord Bateman
[Child 53L; trad]
This ballad was sung by Joseph Taylor and Mr Thompson and recorded on wax cylinders for Percy Grainger in 1908; this was published in 1972 on the LP Unto Brigg Fair. This track was included in 1996 on the Topic anthology Hidden English: A Celebration of English Traditional Music.
A.L. Lloyd recorded the ballad in the early 1950's for his 78rpm record The Shooting of His Dear / Lord Bateman. Nic Jones sang it on his eponymous second album, Nic Jones. He commented in the album notes:
A number of singers have said to me at different times that in their opinion the story of Bateman is a drag. I have always viewed the ballad as a kind of epitomized Errol Flynn film, possessing great sweep and colour, in spite of a degree of predictability, and as such it deserves to stand as a classic!
Lord Bateman was also sung by the Albion Country Band Mk1 on Steve Ashley's album Stroll On, by Chris Wood on Wood–Wilson–Carthy and by John Roberts & Tony Barrand on Heartoutbursts: English Folksongs collected by Percy Grainger. Bob Copper reports gathering parts of just two stanzas from Frank 'Mush' Bond when he was collecting for the BBC: see Chapter 15, pp. 123-134, of his book Songs and Southern Breezes for the details; and the appendix for the words found below.
Tony Barrand notes on Heartoutbursts:
Grainger recorded a number of versions of Lord Bateman, all quite similar, from the singing of Joseph Taylor, George Wray, Joseph Leaning, and Mr. Thomson. It was one of the most popular of all the ballads, well known among traditional singers on both sides of the Atlantic. It's certainly a good tale, and it's nice to have an occasional long ballad that doesn't end in tragedy and death for all the protagonists.
And Chris Wood commented in the Wood–Wilson–Carthy sleeve notes:
This CD has been a most enjoyable experience but the cherry on the cake for me is the recording of this song, I've been living with for about eight years and the relief finally 'coming out' is no small thing. Martin [Carthy] tells me that it is the story of Gilbert Bekett and Shusha Pye who, after the song finishes, apparently went on to have a son called Thomas. It's re-written all over the place principally with the intention of shortening it.
June Tabor sang Lord Bateman in a BBC Radio 1 John Peel session recorded on January 25, 1977 and broadcast on February 22, 1977. This recording was published on her BBC EP The Peel Sessions and CD On Air. The CD sleeve notes comment:
Child no. 53, Young Beichan, this text is The Loving Ballad of Lord Bateman, published in 1839 and “derived from the singing of a London vagrant”. The legend goes back to around 1300, and is often associated with Gilbert Becket, father of (St.) Thomas à Becket.
Lyrics
| Joseph Taylor sings Lord Bateman | Chris Wood sings Lord Bateman |
|---|---|
|
Lord Bateman was a noble lord, |
Lord Bateman was a noble lord, |
|
He sail-ed East, and he sail-ed West |
He sailed East and he sailed West, |
|
And in this prison there grew a tree, |
In their prisons they grew a tree, |
|
His gaoler had but one only daughter, |
But Turkey had one only daughter, |
|
“Now have you houses have you got land, |
“Do you have land, do you have living, |
|
“Yes I've got houses and I've got land |
“I have land, land and I have living |
|
That's what Joseph Taylor sings on the cylinder recording. The following verses which continue the story are from Tony Barrand's Heartoutbursts. Mr Thomson (more or less) sings the second and third of these on Unto Brigg Fair, in addition to those sung by Joseph Taylor (except for the one about the tree).
| |
| Tony Barrand sings Lord Bateman | Chris Wood (continued) |
|
She took him to her marble parlor, |
She stole the key from her fathers pillow, |
|
“And it's seven long years I'll make a vow, | |
|
She took him to her father's harbor, |
She's took him down to her father's harbour, |
|
Now the seven long years were past and gone, |
Seven long years were gone and past, |
|
And when she's come to Lord Bateman's castle, |
When she came to London city |
|
“Is this here Lord Bateman's castle, |
“Is this called Lord Bateman's castle? |
|
“Tell him to bring me a loaf of bread, |
“Go tell him send me a cut of bread, |
|
Away, away tore the proud young porter. | |
|
“What news, what news, my proud young porter? |
“She has got rings, rings on every finger, |
|
“She bid you send her a loaf of bread, |
“She tells you send her a cut of bread |
|
Lord Bateman he flew in a passion, |
Lord Bateman then in silence fell |
|
Then up and spoke the young bride's mother, | |
|
“I own I wed your only daughter, | |
|
Then he's prepared another wedding, |
Bateman then too his true love flew |
| Frank Bond sings Lord Bateman | |
|
Lord Bateman was a rich noble lord Alone I made a bride of your daughter, | |
| A.L. Lloyd sings Lord Bateman | Nic Jones sings Lord Bateman |
|
Lord Bateman was a noble lord, |
Lord Bateman was a noble lord, |
|
He sailed East, and he sailed West, |
He sailed East, and he sailed West, |
|
This Turkey had but one only daughter, |
The Turkman had one only daughter, “Have you got houses, have you got lands? “Oh I've got houses and I've got lands, |
|
She took him to her marble parlour |
She's taken him to her father's hall |
|
For seven long year I'll make a vow, |
For seven long years I'll make a vow, She's taken him to her father's harbour, |
|
With seven long years she did then set sail |
Seven long years were up and past |
|
When she's come to Bateman's castle, | |
|
“Oh, isn't this Lord Bateman's palace? |
“Isn't this here Lord Bateman's castle? “Tell him to bring me a slice off bread, Away and away went the young proud young porter, “What news, what news,” says Lord Bateman “She bids you bring her a slice of bread, |
|
Lord Bateman flew into a passion, |
Bateman arose all in a passion, O then up spoke the young bride's mother Then up spoke the young bride's mother “I own I wed your only daughter; |
|
He then prepared another wedding, |
Bateman's prepared another wedding, |
Acknowledgements
Thanks to Tony Barrand and Wolfgang Hell. Chris Wood's version was copied from the Wood–Wilson–Carthy sleeve notes.